They cut the grass
off the hill
and now it’s a shorn sheep,
hanging his vain head
after they chopped off
all his lovely wool.
They cut the grass
off the hill
and now it’s a shorn sheep,
hanging his vain head
after they chopped off
all his lovely wool.
It lingered at first –
just underneath the surface,
in the days between rainfall
in the cracks in the dirt
in the grasses that yellowed a few weeks early –
unnoticed
except by farmers and scientists.
And then it was here,
claiming its prizes:
the creeks, the reservoirs, the lakes.
They faded to puddles
and then to cracked dirt and dust.
They shed their shells, you know.
And fly away in their shiny new bodies.
I’ve shed my summers
much the same way.
Long, hot days of hollow nothings,
leaving ghostly exoskeletons in my wake.
I fly away feeling fresh and shiny
but look back to see
all my deeds
are frail shells crunching underfoot
already dust on the winds.
“Hi, do you know where the metro is?”
“Yes, it’s that way. I’ll show you.”
“Thank you!”
— We start walking. —
“Are you new here?”
“Yes, we’re here on vacation from the US.”
“Are you from China? Japan?”
“No, actually we’re from the US.”
“Korea? Vietnam?”
“No, we’re from the US.”
“The Philippines? Malaysia?”
It smells like California in summertime —
like dust and baking dirt,
dried grasses,
sagebrush and oak,
like thick mats of algae on drought-plagued creeks,
like garlic in the cool early morning
and cow manure in the afternoon on long stretches of farm roads.
I breathe all this with love.
Because it smells like home and childhood.
I like the familiar feeling
of being distracted by a book.
Of math equations working
themselves out in the back
of my mind
while I write the numbers
and think about the story
calling to me
and dragging my fingers to
is pages every few minutes.
The wild spring oats,
so luminous and green in the sunlight
will fade to wispy yellow
by summertime.
Young, shiny cherry-plums,
firm and plum for a few weeks
will sag to dripping blood-red flesh
and splatter on the sidewalk.
The creek tumbles full, freshet
along its reed-choked path,
but it slows to a sluggish trickle
when rains cease to revive it.
And the glow of dawn
will glare to mid-day
then thicken to dusk, but
the sun must always rise again.
I woke up at 3 a.m.
to the house bracing itself against the wind
and rain showering the window
like handfuls of pebbles cast up
by a lover, asking me to come down.
Faintly – chirp –
through creaking limbs – chirp –
and gusting winds – chirp –
come the tenacious crickets’ song
as though they know
they can outlast the showers
and when the rains drizzle out
and the winds slow and get snagged
in lightly swaying tree branches
the chirps are still there
to sing me back to sleep.
Version 1:
My banana is
brown and yellow and squishy.
Not juicy
and not sweet.
Why is it a fruit?
Version 2:
Ah! Ripe banana.
Thou art brown and yellow,
and thou doth squish in the cavern of my mouth.
Thou art not juicy,
thou art not sweet.
Why dost thou bear the name
“fruit”?
I can tell you a thing or two
about the coastal redwood grove,
Show you the emerald ferns and
sapphire lilac – a treasure trove.
The pine scent and blackberries
create the queenliest perfume;
moss-robed boulders are monuments
more stately than an emperor’s tomb.
The brook gurgling cryptically in its gorge
rivals the song of the nightingale,
and yet, the grove passes out of memory –
fading – like a seldom-travelled trail.